What: Auditions for Melancholy Play by Sarah Ruhl
When: Saturday 11 June 2016, 2:30–6:30 pm (latest)
Where: FINNBRIT, Fredrikinkatu 20 A 9, 2nd floor

Welcome to open auditions for the Finn-Brit Players' autumn production in cooperation with the Passport Theatre Company: Melancholy Play by Sarah Ruhl, directed by Adrian Goldman.

The auditions will begin at 2:30 pm and last until the play is cast (latest 6:30 pm). Please arrive in good time to begin at 2:30. Press the FINNBRIT buzzer by the street door to be let in.

The performances will be on 21–25 September. You must be available for an intensive rehearsal period starting 6 September.

Preparation
We’d like you to prepare a short monologue of your choice in advance, preferably from a comedy. There will be some monologues available to read on the day, but advance preparation will improve your chances of being cast.

In addition, we’d like to hear you sing, as there are a couple of simple songs in the play. There's no need to prepare any songs and as long as you can keep in tune with the piano, you should be just fine!

Registration
If you’d like to audition, it would help us plan a smoother day if you register in advance to zoe (at) finnbritplayers.com.

More information & queries
You can read more about the play and characters below, but if you have any questions about the play, auditions or other arrangements, or are stuck for a monologue, please contact us at the email address above.

The Play
Tilly is melancholy. She is depressed and longing, alluring and unashamed. “She makes her unhappiness into this sexy thing.” Tilly’s therapist, Lorenzo, wants her to take pills, but instead falls madly in love with her. In fact, it seems that everyone Tilly meets falls madly in love with her melancholy. Frank, her tailor, hems her trousers, which leads to romance. Frances, her hairdresser, and Joan, France’s lesbian partner, also become infatuated. Everyone feasts off her melancholy and falls in love with her –until she becomes happy herself.

That happiness throws the world out of whack: everyone else is experiencing turmoil in their lives. Now they are unhappy: Frances becomes so melancholy that she turns into an almond. The streets are full of them – of almonds that used to be people. With Frances’ very existence in question, Tilly, Lorenzo, Frank and his long-lost twin sister Frances must go and find her. But how does one become so melancholy that they turn into an inanimate object? What will happen when Tilly and her friends travel to the almond state?

The Characters
Tilly (cast) – The central character of Melancholy Play. She embodies melancholia in a way that is so completely unashamed that it is considered sexy. Tilly seems to enjoy her melancholy, even though her job wants it cured. As Tilly encounters people with her melancholia, they seem to fall in love with her.

Frank – A tailor who hems Tilly’s trousers, which leads to him being her boyfriend. Frank is a typical nice guy, and Tilly is a little out of his league. He loves Tilly in spite of her constant melancholy, although he too is longing for something that is lost....

Frances – A hairdresser who gives Tilly a trim. She has moved from New Jersey to Illinois and currently resides with her partner, Joan. Frances falls in love with Tilly, which begins their whirlwind affair. When Tilly becomes happy, Frances becomes so depressed that she turns into an almond.

Joan – Frances’ partner. She is a nurse. Joan is very calm and composed. At first, she is jealous of Frances’ obvious attraction to Tilly. However, upon meeting Tilly, she too is overwhelmed by the melancholy and falls in love.

Lorenzo – He is Tilly’s therapist and hails from an unspecified European country. Lorenzo was raised in a sweet shop and grew up so happily that he did not fit in with his European heritage, so he moved to Illinois. He is happy here. As he falls in love with Tilly, we begin to see a less happy side to Lorenzo.

Julian (cast) – He plays the clarinet at various points during the play. The other characters do not notice him until the final scene, and everyone comes together.

The Dramatist
Sarah Ruhl is a modern American dramatist, winner of a MacArthur award, and a Tony Award nominee (for In the Next Room, or the Vibrator Play).

The Finn-Brit Players is launching Face to Face, a new spoken-word event in the style of Poetry & Jazz, but without music.

Face to Face will focus on monologues (first-person only) and dialogues, either stand-alone pieces or excerpts from longer works. Pieces should be in the range of about 1–6 minutes in length.

All texts must either be a) your own work, b) out of copyright, or c) otherwise available for performance without royalties. The focus will be on more modern works and you are usually able to perform a short monologue from a play under copyright as long as no entrance fee is charged. Please submit your suggestions freely – we will check copyright.

There will be one performance at Arkadia International Bookshop on Tuesday 31 May 2016. There will be three or four rehearsals starting in the second week of May, exact dates TBC with the cast, but probably a mixture of Tuesday evenings and Sunday afternoons.

If you’ve performed in Poetry & Jazz before, just email your suggested texts – in full – to Zoë (This email address is being protected from spambots. You need JavaScript enabled to view it.) by Sunday 1 May. If you’ve never performed in Poetry & Jazz before, please contact Zoë to arrange an audition time for your suggested texts, and also if you need any further information.

Welcome to our open auditions for the Finn-Brit Players’ main spring production, There’s No F in Finnish by Ian Eastment with Graham Lees, at FINNBRIT (Fredrikinkatu 20 A 9, 2^nd floor) on Sunday 28 February at 12–16 pm. (Please arrive in good time to begin at 12.)

The performances will be held on 1, 2, 3, 6, 7 & 8 June 2016.

The play
This delightfully provocative comedy examines the relationships between ex-pats and the local population. Set in a Helsinki apartment during a dinner party, it follows the pre-dinner banter and the post-prandial aftermath of too much wine and too many exposed nerves.

The characters
Gerald Walker-Krisp (40–70) – a terminal British ex-pat with a PhD from Oxford. (Pseudo) ‘posh’ UK accent required.

Elaine Aminoff (30­–70) – an American import, attracted to Europe and living with Gerald. North American accent required.

Norman Perks (20–50) – a recent Northern UK import. Northern UK accent required.

Heidi Kilpeläinen (20–50) – Norman’s Finnish girlfriend. Slight Finnish accent with strong English skills required.

Note: some adaptations can be made with regard to accents, but Gerald and Norman should be from different sides of the North/South UK divide and Elaine should be from another native English-speaking country.

Registration & more information
If you’re interested in auditioning, it would help us to plan smoother auditions if you registered in advance to: ulfskribent(at)gmail.com.

There is no need to prepare an audition piece in advance.

If you’d like more information about the characters or script, or if you have any other questions about the audition arrangements, please also contact Ulf at the above address.

Working backstage
If you’d like to be involved with the production off stage, please contact Ulf at: ulfskribent(at)gmail.com.